Ricky Bahl has many names. Sunny Singh, Iqbal, Deven Shah, Vikram Thapar, etc etc. He is a con artist. He lives his life off his talent. He fools girls for money and quickly changes his identity. Three of the thirty girls he has conned are Dimple Chaddha, Raina Parulekar and Saira Rashid. Raina happens to be a big shot. She decides to take revenge against him and get all her money back. She teams up Dimple and Saira and makes a plan. To con him this time.Ishika Desai is a simple sales girl who never lets anyone leave her showroom empty handed. She makes everyone buy something or the other. Raina and team approach her to play by the plan and con Ricky Bahl. Ishika agrees and swears to finish the job with expertise.They meet. Ricky Bahl is a pro. Ishika is confident. Both try to con each other. Ishika has a team working hard with her; Ricky Bahl has his talent with him. Things take a turn and he falls for her. What happens after that? Who succeeds in the mission? Who wins in the end?
Ricky Bahl: Ranveeri Singh is a star. Believe me when I say this. He may be a man infamous for his tomfoolery in reality but when he’s on screen, you’re bound to like him. He brings with him oodles of confidence on screen. Plus, he has carried a blockbuster on his shoulders previously. His hard work shows in every character he plays in the movie, in his accent, in his body language everything. Ricky Bahl was tailor made for him. Well oiled and chiseled abs, his expressions and his dialogues very well qualify for hoots and claps.
Ladies: If Ricky Bahl is a star, ladies aren’t far behind him. They give him competition in every department. Show stealer among them is easily the debutante Parineeti Chopra. Anushka Sharma is experienced and is expert in playing roles like these, but was outdone with Parineeti this time. Dippanita Sharma Atwal plays her character of a corporate and confident woman well and manages to play the head of the team with finesse. Aditi Sharma as an introvert Lucknow girl looks natural and cute, and her dialogue delivery is excellent. But for me, find of the movie is easily Parineeti Chopra. Her role as a bubbly and pakki dilli waali ladki was hilarious. Her comic timing, her expressions and her dialogue delivery, everything was amazing. All whistles for her. Simply awesome! Me likey. Me a fan.
Story & Direction: If you think Maneesh Sharma could be a ‘one film wonder’, you’re wrong. He returns with this light comedy-family-drama which is bound to make you smile, laugh and fall in love with his characters. The best part about him is that he makes the story and his characters so relatable and simple that you don’t need to stress out while watching nor use your brain. Stress-buster, to be specific.
Music: If you think the music of the movie is ordinary and doesn’t grow on you, listen again. You might actually start humming along and move your legs in sync with the beats and rhythm. ‘Aadat se Majboor’ & ‘Jazba’ need a special mention.
Second half: If first half was funny, fast paced and cool and whatever; then second half slackens a bit at places. Some of you may yawn a few times or check your watch or call the scenes clichéd or check your messages or update your status or whatever stuff you mostly tend to do in these situations.
Love Chemistry: Nothing was actually wrong in Ranveer and Anushka’s romantic chemistry but somehow you tend to compare it with their on screen romance in their previous movie together and feel unsatisfied.
Editing: If you find second half a little slow at places, you’ll abuse the editor, for some scenes were actually should’ve been edited out from the movie but were present in the movie.
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Why you must watch the movie?
Light hearted comedy, hilarious moments, family drama, good music, and two hours of fun never really hurts.
Why you must not?
If you have a habit of watching serious and heavy drama and have a knack of comparing each and every goddamn Indian movie to Hollywood flicks. Seriously.
Friday, December 9, 2011
Friday, December 2, 2011
Reshma is a small town girl who wants to be an actress but is fed up of her failures. She dreams of being with Suryakant, the megastar, but is unable to do anything about it. She, then, decides to take a bold step and uses her body to attract attention of the makers. Abraham, who comes across her, gets irritated of her boldness and alleged shamelessness that he starts hating her. Meanwhile her item song in the movie becomes hit and the film’s producer decides to find her and give her a big break, and also the screen name Silk.Silk is given a chance to do an item song opposite her childhood fantasy Suryakant, whom she lures and seduces well. Her item song becomes an instant rage and she becomes hit. Everybody wants her to do an item song in the movie and at the same time people hate her in actual for she is bold and doesn’t hesitate.Suryakant, finally gets bored of her, and starts ignoring her, and that exact moment, his brother, Ramakant, a struggling writer expresses his love for Silk.Meanwhile, Silk’s downfall has begun as people have started getting bored of her and media has everything bad to say about her. Abraham, finally rises and acts in the same movie he directs, written by Ramakant and becomes hit.
Vidya Balan: ‘Zindagi ek baar mili toh do baar kya sochna!’ Vidya Balan has kicked some serious ass in the movie with her over the top flamboyance. She has set a new milestone to achieve for the other actresses. Full marks for her performance. It must have taken enormous amounts of guts, determination and confidence to take up a role as bold and dangerous as Silk and to perform it with natural flair. Obviously, she is the soul of the movie and has outdone everybody. Superb!
Dialogues: ‘Aapko holi khelne ka toh shauk hai, par aapki pichkaari me dum nahi.’ Brownie points to Rajat Arora for the dialogues. Of course they are highly adult, ambiguous and are perfect examples of crude humor which one certainly cannot enjoy with family, but you can’t take away the credit from that man. Witty and original and funny and so true! If Vidya Balan is the soul, then the dialogues are the heart of the movie.
Male Actors: ‘Jab Sharafat ke kapde utarte hain toh sabse zada maza shareefo ko hi aata hai.’ I had developed loyalty for Emraan Hashmi due to role and acting his recent movies, but this is for the first time, I am admitting openly that I am his fan. What a man he is! Same can be said aboutNaseeruddin Shah. What is it that this man cannot do! Amazing performance. His shady character always moves the story forward and every time he is present on the screen, you know something different is gonna happen. Tusshar doesn’t get much of the screen time but he has done Okay! All I can say is that he’s getting better with every movie.
First half: ‘Film sirf teen cheezo se chalti hai: Entertainment…Entertainment…Entertainment. Aur mai vo entertainment hoon.’ First half of the movie is the best. The rise and rise of Silk and her exotic moves along with double meaning dialogues and fast paced plot keep you hooked. During the first half, you hear the most claps, whistles and hoots.
Direction: ‘Film me sirf ek hi hero hota hai. Director.’ Milan Luthria has very well tried to pull off a masterstroke by sensationalizing the biggest mystery of Tollywood of 80’s. He has tried to make everything in the movie as authentic as possible with the looks, sets and characters. He gets the credit for making the characters the way they are in the movie.
Music: ‘Ooh lala…Ooh lala. Tu hai meri fantasy.’ If I were asked, what is one particular thing that Vishal-Shekhar are best at, I’d probably say their choice of Singers for the song. Be it Lucky Ali, Akon, Saleem Merchant, Shankar Mahadevan or, in this case, Bappi Lahiri. They make their singers sing in a way you just can’t resist but love the songs.
Screenplay: ‘Kahaani me masala nahi hai sahab. Nahi chalega. Silk ko bulao. Aag laga degi.’ If Rajat Arora gets all the whistles for the dialogues, then he also gets thumbs down for his loose screenplay. He could’ve used his male characters in a better way and could’ve presented the life history of Silk way better than he actually did. The character detailing is bad and the second half becomes too lengthy and boring, especially when Emraan Hashmi returns in the movie.
Theme: ‘Silk jo chahti hai, kar ke dikhaati hai.’ Sadly, the movie focuses more on Silk’s love, lust and loneliness along with the industry’s love for flesh which turned Reshma into Silk; instead portraying the life history of Silk and showing her in and out. You go into the theater expecting to know more about Silk but end up seeing everything you already know.
Cleavage: ‘Public samaan dekhti hai, dukaan nahi.’ Before I say anything, understand this - I am a perfectly normal guy who loves girls. And their assets. But Vidya Balan has left me surprised with her ‘too much exposure’ of her body. In the beginning, I was jaw-dropped at her boldness and loved it. Slowly became used to as the movie proceeded, but then towards the end it started to irritate, and I was like, ‘Why is she not wearing any clothes! Damn!’
Editing: ‘Mujhey paise kamaane aur public ko entertainment chahiye. Mai Silk ke is gaane ko daalunga aur dobara film release karunga. Fir dekhna.’ Believe me when I say this, second half dr…rrags unnecessarily. There are moments when you think the movie is about to end but then again takes a new turn and goes on. You will witness the unexpected for sure. But with a negative impact.